%% Generated by lilypond-book
%% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm,paper-height=845.047\pt,paper-width=597.508\pt,papersize='(cons (* 597.508 pt) (* 845.047 pt))]
\include "lilypond-book-preamble.ly"


% ****************************************************************
% Start cut-&-pastable-section
% ****************************************************************

#(ly:set-option 'eps-box-padding 3.000000)



\paper {
  #(set-paper-size '(cons (* 597.508 pt) (* 845.047 pt)))
  indent = 0\mm
  line-width = 160\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
}

\layout {
  
}




% ****************************************************************
% ly snippet:
% ****************************************************************
\sourcefilename "/lilypond-2.26.0/input/regression/musicxml/46f-IncompleteMeasures.xml"
\sourcefileline 0
\version "2.26.0"
% automatically converted by musicxml2ly from -
\pointAndClickOff

\header {
  texidoc = "Measures can contain less notes than the time signature says. At
    the very beginning this is usually handled as an upbeat (even if the first
    measure is not tagged as measure 0 or the ‘implicit’ attribute is missing).

    Here, the first and third measure contain only two quarters instead of four."
}
\layout {
  \context {
    \Score
    autoBeaming = ##f
  }
}
PartPOneVoiceOne = \relative a' {
  \clef "treble" \numericTimeSignature \time 4/4 \partial 2 a4 a4 | % 1
  a4 a4 a4 a4 | % 2
  a4 a4 s2 | % 3
  a4 a4 a4 a4 }


% The score definition
\score {
  <<
    \new Staff = "P1" <<
      \context Staff <<
        \override Staff.BarLine.allow-span-bar = ##f
        \mergeDifferentlyDottedOn
        \mergeDifferentlyHeadedOn
        \context Voice = "PartPOneVoiceOne" {
          \PartPOneVoiceOne
        }
      >>
    >>
  >>
  \layout {}
  % To create MIDI output, uncomment the following line:
  % \midi { \tempo 4 = 100 }
}




% ****************************************************************
% end ly snippet
% ****************************************************************
