%% Generated by lilypond-book
%% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm,paper-height=845.047\pt,paper-width=597.508\pt,papersize='(cons (* 597.508 pt) (* 845.047 pt))]
\include "lilypond-book-preamble.ly"


% ****************************************************************
% Start cut-&-pastable-section
% ****************************************************************

#(ly:set-option 'eps-box-padding 3.000000)



\paper {
  #(set-paper-size '(cons (* 597.508 pt) (* 845.047 pt)))
  indent = 0\mm
  line-width = 160\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
}

\layout {
  
}




% ****************************************************************
% ly snippet:
% ****************************************************************
\sourcefilename "/lilypond-2.26.0/input/regression/fingering-adjacent-note-chord.ly"
\sourcefileline 0
\version "2.21.0"

\header {
  texidoc = "@code{Fingering} grobs created by the @code{Fingering_engraver}
(i.e., fingerings entered outside of @code{<>}) above or below chords
containing adjacent notes (seconds) or unison notes should be aligned on the
main noteheads, i.e., on the noteheads that are on the ``correct'' side of
the stem.

Incidentally, this also avoids collisions with accidentals."
}

{
  <>_\markup \teeny \typewriter "Fingering_engraver"
  <e' d'' e''>1^1^4^5
  <a' b' fis''>^1^2^5
  <e' d'' e''>4^1^4^5
  <a' b' fis''>^1^2^5
  <e' d'' e''>_5_4_1
  <eis' e'' fis''>_5_4_1
}



% ****************************************************************
% end ly snippet
% ****************************************************************
