%% Generated by lilypond-book
%% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm,paper-height=845.047\pt,paper-width=597.508\pt,papersize='(cons (* 597.508 pt) (* 845.047 pt))]
\include "lilypond-book-preamble.ly"


% ****************************************************************
% Start cut-&-pastable-section
% ****************************************************************

#(ly:set-option 'eps-box-padding 3.000000)



\paper {
  #(set-paper-size '(cons (* 597.508 pt) (* 845.047 pt)))
  indent = 0\mm
  line-width = 160\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
}

\layout {
  
}




% ****************************************************************
% ly snippet:
% ****************************************************************
\sourcefilename "/lilypond-2.26.0/input/regression/repeat-petrucci-alternatives.ly"
\sourcefileline 0
\version "2.23.8"

#(ly:set-option 'warning-as-error #t)

\header {
  texidoc = "Alternative endings are not expected in ancient music.
Here, the signum repetitionis resembles a modern repeat sign rather
than telling the number of times the alternative is performed."
}

music = \fixed c' {
  c1
  \repeat volta 10 \alternative {
    \volta 1,2,3,4 d1
    \volta 5,6,7 e1
    \volta 8,9 f1
    \volta 10 g1
  }
}

\new ChoirStaff <<
  \new Staff \music
  \new PetrucciStaff \music
>>



% ****************************************************************
% end ly snippet
% ****************************************************************
