%% Generated by lilypond-book
%% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm,paper-height=845.047\pt,paper-width=597.508\pt,papersize='(cons (* 597.508 pt) (* 845.047 pt))]
\include "lilypond-book-preamble.ly"


% ****************************************************************
% Start cut-&-pastable-section
% ****************************************************************

#(ly:set-option 'eps-box-padding 3.000000)



\paper {
  #(set-paper-size '(cons (* 597.508 pt) (* 845.047 pt)))
  indent = 0\mm
  line-width = 160\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
}

\layout {
  
}




% ****************************************************************
% ly snippet:
% ****************************************************************
\sourcefilename "/lilypond-2.26.0/input/regression/musicxml/61b-MultipleLyrics.xml"
\sourcefileline 0
\version "2.26.0"
% automatically converted by musicxml2ly from -
\pointAndClickOff

\header {
  texidoc = "Multiple, simple lyrics. The order of the exported stanzas is
    relevant; in this example, the three lines have the ‘number’ attribute set
    to ‘1’, ‘2’, and ‘iij’, respectively.

    MusicXML doesn't provide any means to semantically separate stanza numbers
    from actual lyrics; it is thus the job of the application to do something
    sensible. Here, the first <text> elements in each line also hold the stanza
    number: for lines 1 to 3, the values are ‘1.Tra’, ‘2.-4./5. tra’, and ‘6.,
    7.TRA’.

    The lyrics on the last note in measure 1 start extender lines. In the top
    two lyric lines, there is an <extend> element without an attribute
    (compliant to MusicXML versions before 3.0). In the third lyric line, the
    fourth note has attribute ‘start’, and the first note of measure 2 has
    attribute ‘stop’, using the extended syntax introduced in MusicXML 3.0."
}
\layout {
  \context {
    \Staff
    printKeyCancellation = ##f
  }
  \context {
    \Score
    autoBeaming = ##f
  }
}
PartPOneVoiceOne = \relative g' {
  \clef "treble" \time 4/4 \key c \major g4 g4 g4 g4 | % 1
  g4 g4 g4 g4 \bar "|."
}

PartPOneVoiceOneLyricsOne = \lyricmode {
  \set ignoreMelismata = ##t
  \set includeGraceNotes = ##t
  "Tra" -- la -- "la," "ja!" __ \skip1 Tra -- \skip1 "ra..."
}

PartPOneVoiceOneLyricsTwo = \lyricmode {
  \set ignoreMelismata = ##t
  \set includeGraceNotes = ##t
  "tra" -- la -- "la," "ja!" __ \skip1 Tra -- \skip1 "ra."
}

PartPOneVoiceOneLyricsiij = \lyricmode {
  \set ignoreMelismata = ##t
  \set includeGraceNotes = ##t
  "TRA" -- LA -- "LA," "JA!" __ \skip1 TRA -- \skip1 "RA..."
}


% The score definition
\score {
  <<
    \new Staff = "P1" <<
      \context Staff <<
        \override Staff.BarLine.allow-span-bar = ##f
        \mergeDifferentlyDottedOn
        \mergeDifferentlyHeadedOn
        \context Voice = "PartPOneVoiceOne" {
          \PartPOneVoiceOne
        }
        \new Lyrics \lyricsto "PartPOneVoiceOne" {
          \set stanza = "1." \PartPOneVoiceOneLyricsOne
        }
        \new Lyrics \lyricsto "PartPOneVoiceOne" {
          \set stanza = "2.-4./5." \PartPOneVoiceOneLyricsTwo
        }
        \new Lyrics \lyricsto "PartPOneVoiceOne" {
          \set stanza = "6., 7." \PartPOneVoiceOneLyricsiij
        }
      >>
    >>
  >>
  \layout {}
  % To create MIDI output, uncomment the following line:
  % \midi { \tempo 4 = 100 }
}




% ****************************************************************
% end ly snippet
% ****************************************************************
