%% Generated by lilypond-book
%% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm,paper-height=845.047\pt,paper-width=597.508\pt,papersize='(cons (* 597.508 pt) (* 845.047 pt))]
\include "lilypond-book-preamble.ly"


% ****************************************************************
% Start cut-&-pastable-section
% ****************************************************************

#(ly:set-option 'eps-box-padding 3.000000)



\paper {
  #(set-paper-size '(cons (* 597.508 pt) (* 845.047 pt)))
  indent = 0\mm
  line-width = 160\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
}

\layout {
  
}




% ****************************************************************
% ly snippet:
% ****************************************************************
\sourcefilename "/lilypond-2.26.0/input/regression/musicxml/31b-Directions-Order.xml"
\sourcefileline 0
\version "2.26.0"
% automatically converted by musicxml2ly from -
\pointAndClickOff

\header {
  texidoc = "Using <offset> it is possible to make successive <direction>
    elements look like being concatenated. However, it is a bad idea in general
    to do that because it makes the rendering dependent on a program's score
    formatting.

    In the first bar, the first <direction> element contains a tempo mark and is
    directly followed by another <direction> element containing a metronome mark
    that is moved to the right by a positive <offset> element.

    In the second bar, the first <direction> element holds the start of a
    diminuendo wedge; it is directly followed by another <direction> element
    containing a dynamics mark. Since the wedge has an <offset> element with a
    positive value while the dynamics has no such element at all, the dynamics
    precedes the wedge.

    The wedge ends at or right before the final bar line (i.e., the <direction>
    element ending the wedge comes after the last <note> element)."
}
\layout {
  \context {
    \Staff
    printKeyCancellation = ##f
  }
  \context {
    \Score
    autoBeaming = ##f
  }
}
PartPOneVoiceOne = \relative c' {
  \clef "treble" \time 4/4 \key c \major \tweak direction #UP \tempo \markup
  \normal-text \concat { \bold Lento " " \normal-text \smaller { ( \char ##x200A
      \fontsize #-2 \rhythm { 4 } \char ##x2009 = \char ##x2009 56 ) } } c1 | % 1
  c1 _\f _\> <>\! \bar "|."
}


% The score definition
\score {
  <<
    \new Staff = "P1" <<
      \context Staff <<
        \override Staff.BarLine.allow-span-bar = ##f
        \mergeDifferentlyDottedOn
        \mergeDifferentlyHeadedOn
        \context Voice = "PartPOneVoiceOne" {
          \PartPOneVoiceOne
        }
      >>
    >>
  >>
  \layout {}
  % To create MIDI output, uncomment the following line:
  % \midi { \tempo 4 = 100 }
}




% ****************************************************************
% end ly snippet
% ****************************************************************
