%% Generated by lilypond-book
%% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm,paper-height=845.047\pt,paper-width=597.508\pt,papersize='(cons (* 597.508 pt) (* 845.047 pt))]
\include "lilypond-book-preamble.ly"


% ****************************************************************
% Start cut-&-pastable-section
% ****************************************************************

#(ly:set-option 'eps-box-padding 3.000000)



\paper {
  #(set-paper-size '(cons (* 597.508 pt) (* 845.047 pt)))
  indent = 0\mm
  line-width = 160\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
}

\layout {
  
}




% ****************************************************************
% ly snippet:
% ****************************************************************
\sourcefilename "/lilypond-2.26.0/input/regression/musicxml/71f-AllChordTypes.xml"
\sourcefileline 0
\version "2.26.0"
% automatically converted by musicxml2ly from -
\pointAndClickOff

\header {
  texidoc = "All chord types defined in MusicXML. The staff will only contain
    one c’ note (NO chord) for all of them, but the chord names should be
    properly printed."
}
\layout {
  \context {
    \Staff
    printKeyCancellation = ##f
  }
  \context {
    \Score
    autoBeaming = ##f
  }
}
PartPOneVoiceOne = \relative c' {
  \clef "treble" \time 4/4 \key c \major c4 c4 c4 c4 | % 1
  c4 c4 c4 c4 | % 2
  c4 c4 c4 c4 | % 3
  c4 c4 c4 c4 | % 4
  c4 c4 c4 c4 | % 5
  c4 c4 c4 c4 | % 6
  c4 c4 c4 c4 | % 7
  c4 c4 c4 c4 | % 8
  c2 c8 c8 r4 | % 9

  \barNumberCheck #10
  c4 c4 \bar "|."
}

PartPOneVoiceOneChords = \chordmode {
  c4 c4:m c4:aug c4:dim | % 1
  c4:7 c4:maj7 c4:m7 c4:dim7 | % 2
  c4:aug7 c4:m7.5- c4:maj7m c4:6 | % 3
  c4:m6 c4:9 c4:maj9 c4:m9 | % 4
  c4:11 c4:maj11 c4:m11 c4:13.11 | % 5
  c4:maj13.11 c4:m13 c4:sus2 c4:sus4 | % 6
  s4 s4 s4 s4 | % 7
  s4 c4:1.5 s4 c4:1 | % 8
  fis2 feses8/+c gis8/+dis c4 | % 9

  \barNumberCheck #10
  c4:5-^3 c4:6-^1 \bar "|."
}

PartPOneVoiceOneLyricsOne = \lyricmode {
  \set ignoreMelismata = ##t
  \set includeGraceNotes = ##t
  major minor augmented diminished dominant "major-seventh" "minor-seventh"
  "diminished-seventh" "augmented-seventh" "half-diminished" "major-minor"
  "major-sixth" "minor-sixth" "dominant-ninth" "major-ninth" "minor-ninth"
  "dominant-11th" "major-11th" "minor-11th" "dominant-13th" "major-13th"
  "minor-13th" "suspended-second" "suspended-fourth" Neapolitan Italians French
  German pedal power Tristan other Inversion "Fbb/C" "G#/D#" "C-3+5b" "C-1+6b"
}


% The score definition
\score {
  <<
    \context ChordNames = "PartPOneVoiceOneChords" {
      \PartPOneVoiceOneChords
    }
    \new Staff = "P1" <<
      \context Staff <<
        \override Staff.BarLine.allow-span-bar = ##f
        \mergeDifferentlyDottedOn
        \mergeDifferentlyHeadedOn
        \context Voice = "PartPOneVoiceOne" {
          \PartPOneVoiceOne
        }
        \new Lyrics \lyricsto "PartPOneVoiceOne" {
          \PartPOneVoiceOneLyricsOne
        }
      >>
    >>
  >>
  \layout {}
  % To create MIDI output, uncomment the following line:
  % \midi { \tempo 4 = 100 }
}




% ****************************************************************
% end ly snippet
% ****************************************************************
